Four Famous German Contraltos • Willer, Liebenberg, Olczewska, Klose - Bongiovanni Musica

Four Famous German Contraltos • Willer, Liebenberg, Olczewska, Klose

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LUISE WILLER • EVA LIEBENBERG • MARIA OLCZEWSKA • MARGARETE KLOSE

Luise Willer: 
  • IL TROVATORE Lodernde Flammen (Stride la vampa)
  • IL TROVATORE Die Hände in schweren Ketten (Condotta ell'era in ceppi)
  • CARMEN Draussen am Wall (Près les remparts de Seville)
  • SAMSON ET DALILA Sieh, mein Herz (Mon coeur s'ouvre) 
Eva Liebenberg:
  • ORPHEUS UND EURYDIKE Ach, ich habe sie verloren
  • JULIUS CÄSAR Es blaut die Nacht
  • Händel - Dank sei dir, Herr
  • TRISTAN UND ISOLDE Einsam wachend
Maria Olczewska: 
  • RINALDO  Lascia ch´io pianga
  • CARMEN Ja die Liebe hat bunte Flügel (L'amour est un oiseaux)
  • CARMEN Lasst seh'n was für mich übrig blieb
  • SAMSON ET DALILA Printemps qui commence
Margarete Klose: 
  • ALCESTE Ihr Götter ew'ger Nacht
  • PARIDE ED ELENA O del mio dolce ardor
  • IL TROVATORE In uns're Heimat (Ai nostri monti) / con Marcel Wittrisch
  • UN BALLO IN MASCHERA König des Abgrunds (Re dell'abisso)
  • DON CARLO Verhängnisvoll was das Geschenk (O don fatal)  
** ULTIMA COPIA
"Four German Contraltos of the Past is particularly interesting in that it features Eva Liebenberg, a glamorous presence in Berlin during the Twenties and a one-time guest at Bayreuth who, because of her Jewish origins, disappeared from view until after the Second World War.Liebenberg’s vibrant singing graces Gluck, Handel and Wagner, though when it comes to Gluck I’d find it difficult to choose between Liebenberg in Orfeo ed Euridice (1929) and Margarete Klose in Alceste (1938).Klose was a supremely sensitive artist with an acute feeling for verbal nuance, and her contribution (largely Verdi) shines even within a programming context that also includes Luise Willer and the admirable Maria Olszewska."